Monthly Archives: April 2014

How I became a rebel

I bought an asymmetric green dress two years ago when they were a big hit – I didn’t particularly like the cut in general, but this one looked really beautiful. The purpose of this purchase was to wear it for New Year’s Eve party and guess what? I wore the dress and everybody else wore sweatshirts and sneakers. To make it all even worse I didn’t know majority of the people participating in the party, to be completely honest – I didn’t even know the host (it was one of those times you wake up on 31st of December and think: “Holy shit! It’s New Year’s Eve. What do I do?”). So, naturally, all the guests thought I was a terrbily overdressed terrible stuck-up, and I was number one avoided person for the rest of the night. Thank God a few of my friends were there for a rescue… It was, nevertheless, the worst New Year’s Eve party of my life.

After that incident I thought I had to be more careful. The dress looks incredibly festive so next time I wear I really have to make sure it’s a proper occasion. And so last week (two years later) I was searching through my dresses, pulled this one out and caught myself asking questions: will I ever wear it again? Is it even still fashionable?…

I must say I’m really digging the idea of trends getting blurred and that we should wear whatever feels true to us. I tried the dress on (“Does it still fit me?” was a question that came right after the other ones…) and I immodestly decided that I look pretty damn good in it. If only I had some sort of “special occasion” coming up so I can wear it as an outfit for my blog… And there came a revolution. Why not wear it casually?

Such a common mistake women make is they keep their best clothes for celebrations and galas – what a waste of great outfits! I’ve heard this one before, but I guess I had to learn it on my own – wearing that dress with casual accessories made me feel less overdressed on an average day on the street than I felt on a New Year’s Eve party. A party that should be all about elegant gowns and black suede shoes! SO: to your closets! Find whatever you always felt was too decorative for every-day wearing and wear it tomorrow. Be a rebel.

(Correction: I didn’t feel just less overdressed while shooting this outfit, I didn’t feel overdressed AT ALL.)










This ivory lacy vest was made by my Granny (she used to be a seamstress and costume designers for theatres ans operas). My mom needed it for a party when she was just about my age! It’s real vintage 🙂

I guess I should have eaten a smaller breakfast…





Thank to Janina Jungiewicz for taking those beautiful pictures, yet again 🙂


…and follow me on my Instagram account @kasiapiersa

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An Ink Test and a Mad Wall

I really wouldn’t be a psychology student if this dress print didn’t remind me of Rorschach’s Inklebot Test. It consists of several boards with colorful ink spots and the potential participant of the examination is supposed to interpret it by pointing out the answer that is most adequate in his/her opinion. The accuracy of this test is of course controversial, but out of all the psychology research tools this one’s by far most artistic.

The results of Inklebot Test are diversified, and so can be the context of wearing that dress. Which is exactly why I love it. I wore it for Christmas Eve with silver jewellery and it was festive. I wore it for bussiness training with black jacket and it was formal. Today I wore it with denim and it’s super fun, especially with futuristic white sunglasses and in front of South-American style graffiti. (It’s the graffiti we have vis-à-vis the local library, isn’t my study-town just awesome?). There’s also a rabbit-cangaroo hybrid on a leash next to it, which I don’t think quite matches, but in a very strange way – it does… it’s a mad wall, let’s say. It’s a “Donnie Darko meets Alice in Wonderland in Peru”.

The graffiti may seem familiar in the usage of colors, and not just because you have a picture from your trip to Venezuela as a screensaver. The latino street art was a major part of latest Prada project The Heart Of Multitude. Six muralists: Gabriel Specter, El Mac, Mesa, Pierre Mornet, Stinkfish and Jeanne Detallante, were invited to decorate the Milano show space with their illustrations “to engage themes of femininity, representation, power, and multiplicity”. But if you didn’t have the pleasure of attending Prada’s fashion show, you can still find some of the women portaits on Prada’s handbag collection for Spring/Summer 2014 (which is now, finally and thankfully).

Hope you like the photos 🙂 (by the way, I think I nailed the movie reference thing)













Have a great week! 🙂


Photos are taken by Janina Jungiewicz, who just keeps getting better at this! 🙂

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Keep it Cute!

Inspired by my previous post, I decided to go a little bit culturesque on the blog and elaborate some more on the cuteness culture subject. I wrote that it’s a thing now, but that does not serve as a proper explanation, therefore I would love to provide you with one. Who could have known that Hello Kitty wasn’t just going to be a singular mascot, but also a part of a massive culture movement?

As I mentioned on Wednesday lovely evening, it started in the Country of Cherry Blossoms – kawaii is a japanese equivalent for cuteness. Why was kawaii so succesfully included in the peculiar culture of Japan? Two things: a tendency to glorify infantilism and a tendency to miniaturize all the belongings (the territory of Japan is quite small and the land prices used to be very high, so everybody could own just a tiny piece of land). Of course, whatever is a trend in the culture finds its’ reflection in fashion, so the sweet innocence (and perversion as well, let’s be honest) of Harajuku Girls comes right from kawaii. Now in Japan there are multiple subtypes of kawaii girls: Gothic Lolita, Sweet Lolita, Ganguro (americanized style inspired by Barbie dolls), Kegadoru (girls put bandages on their body and often splash it with fake blood to elicit interest and empathy in the opposite sex). Sounds sick? Yes, it does. And what’s the name of the most popular japanese fashion magazine? “CUTiE”.



Now, about the cuteness itself – what are the exact criteria? There is a specific set of features that needs to be recognized in an object to classify it as cute. Round head, disproportionately big head in relation to the rest of the body, big, round, protruding ears, shapeless nose, unnaturaly low-set eyes, jelly limbs, helpless walk. If you think about it, that description sounds a lot like a newborn or a little animal, which rises a need for care. That’s why we buy Hello Kitty and other products advertised with some clumsy creatures – because on a subconscious level we feel like we should take care of them!


If you’re rising your eyebrow while reading the phrase “on a subconscious level” – you’re quite right to have doubts. The matter of our awareness is being constantly abused in mass media, mostly in attempt to make us “realize” that we need to buy something, but we just don’t know it consciously yet. I, on the other hand, am not trying to sell you any crap, so let’s make it legit: here’s the example of a study (yes, a study, the cuteness culture is an object of interdisciplinary analysis of neurobiologists, psychologists, antropologists, neuromarketers and corporate’s image specialists. Seriously). In 2009 Melanie Glocker conducted a study which uncovered the process of human brain reaction to objects described as cute. The MRI showed that there is a certain cuteness factor located in the oldest part of our brain, also responsible for… nutrition and procreation. Now, how about that?

Anyways, is there any influence on an actual art? Naturally there is. Art is kind of a sponge that absorbs all the things visible (literally or not) in a society, so cuteness aesthetics often shows in different works of art.


Mark Ryden’s Saint Barbie is a criticism of consumerism, beauty terror, body cult and desperate youth chase. Empty face expression of a Barbie doll shows that there’s nothing more than her looks, and the little girl accepts it with no questions.


Another one – also from Mark Ryden – Little Boy Blue seems like a perfectly innocent drawing of a cute boy, except when you notice the Hitlerjugend uniform… Psychology of colors states that pink is a color manifesting life happiness, freshness, optimism and a sense of security. Why is it contrasted with the symbol of hatred and danger, swastika? Probably to ridicule the actions of nazis. Or justify them. Or both?


Láznê Bohdaneč’s DEKA TANKU is an art installation: a military tank painted in pastel pink as a symbol of victory over the soviet regime.


Donut Bunny by Aleksandra Marchocka is sickly cute, again only until you notice the details – white balls aren’t edible cupcake pearls, but tiny skulls… Why? The artist says that there’s something very sweet about rabbits as well as something really disturbing – they look just a little insane (didn’t Lewis Caroll pick up on that over 100 years ago while writing Alice in Wonderland?).


Any Love Magazine fans over here? Each and every time LM cover comes out it’s always about presenting a certain femininity definition. What do you think was this one about?…

FUN FACT TO END THE POST: pink color wave is nearly as fast as the light, so that’s why it wins the race to our sight and, eventually, draws our attention the most. That’s also why many companies decided to change their logos over the past few years 🙂 neuromarketing is real.

(The study I quoted was taken from Melanie Glocker article Baby schema modulates the brain reward system in nulliparous women, 2009)

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Generally, for major part of my life I used to be one of those people who claim that black looks good with any color, especially black. But then again, I read reports on Challenger catastrophy for fun so you can imagine I wasn’t exactly the ‘style digger’ type of person. I wore black in my world of editing Wikipedia film reviews, but didn’t mind colors in my surroundings, except for one. Nothing was as repulsive for me as a pink piece of clothing. Yuck!

Why did I hate the color so much? I guess it all goes down to the Barbie dresses, trousers, blouses, coats, sweaters, bikinis, shoes – pretty much anything a Barbie doll is accesorized with is pink, which I think creates a stereotype of some sort, or at least some negative associations. I remember my mum trying to talk sense into me by kindly offering to buy me pink clothes and reasoning that they are actually very, very pretty. The way I saw it, she was trying to force her sweet vision of me by holding me captive in a world where watching “Legally Blond” was legal (and that was not the world I wanted to live in back then). Anyways, as you can see from the pictures below, the situation has dramatically changed – not only am I wearing both pink sweater and pink jacket, but I combined them with white skirt. And peachy heels. And, well, pink handbag. Pink lipstick. Could this get any more cute?… (Yes, it could, if I was holding a white sleeping kitty with fuchsia ribbon.)

So somewhere in the process of acknowledging colors and adapting them into my wardrobe I also started to see pink as something more than just phenolphthalein getting all raspberry in alkaline solution. I adore this hue, I think it goes well with my skin tone and when I wear pink my heart feels warmer. Or you could say I sold my soul to become a conformist member of a cuteness culture (yes, it’s really a thing, it started with Japanese Kawaii and it expanded). Either way, enjoy the outfit and “Keep it cute!” (which once used to be a note that Walt Disney pinned over each of his animators’ desk – see, this cutneness culture is no joke…).















All the photos are taken by my friend Janina Jungiewicz, who turned out to have an amazing eye for fashion photography as well as enough free time to spend it with me and, you know, the clothes stuff 🙂 Thank you Jane, those pictures are amazing!



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